Öl auf dem Segeltuch,das echte Aroma von alten Meistern

A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    der Index der Künstler

Schwedisch

Spanisch

Englisch

Französisch

Deutsch

Nächstes Gemälde     

Thomas Luny

      (1759-1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George, and later relocated to Old Gravel Lane. In September 1777, Luny left Holman's studio for a while, to journey to France. During this particular expedition, Luny almost certainly strayed from France itself; his first exhibited picture in London, seen at the Society of Artists that same year, was given the title A distant view of the island of Madeira and Porto Santo, suggesting that an engraving had inspired his choice of subject. Similarly, it is unlikely that Luny was on hand for the Battle of the Nile, 1798, and the bombardment of Algiers, 1816, both of which he illustrated with dramatic atmosphere and credible realism. After leaving Holman's studio in 1780, Luny moved to Leadenhall Street during 1783. It was around this time that Luny was frequently exhibiting at the Royal Academy, in a total of twenty-nine exhibitions between 1780 and 1802. In Leadenhall Street, Luny became acquainted with a "Mr. Merle", a dealer and framer of paintings who promoted Luny's paintings for over twenty years, to great success. Luny also found a wealthy source of business in Leadenhall Street, where the British East India Company had their headquarters; their officers commissioned many paintings and portraits from Luny. This relationship between the Company and Luny also had several non-monetary benefits for Luny; it seems probable that, considering the great detail and realistic look of many of his sketches of locations such as Naples, Gibraltar, and Charleston, South Carolina, Luny was occasionally invited as a guest on the Company's ships on special occasions and voyages.

Thomas Luny Blockade of Toulon, 1810-1814: Pellew's action, 5 November 1813 painting


    Blockade of Toulon, 1810-1814: Pellew's action, 5 November 1813
   new26/Thomas Luny-445464.jpg
Gemälde IDENTIFIZIERUNG::  93597
  1830(1830) Medium oil on canvas Dimensions 85.1 x 128.3 cm (33.5 x 50.5 in) cjr
   
   
   

Nächstes Gemälde     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Portrait of Alof de Wignacourt fg / Domenico Beccafumi / Hammond / Buttermere Lake - A Shower / Numberg / Sketch for the Excursion of the Harem / Breaking Home Ties / Dayvalley / Kicevo / Morris / Madonna with Saints and Members of the P / Portrait of a Man sdgh / Cover for The American Boy / The Beach at Fecaump / The Oarsmen / Triumph of Neptune / Portrait of Charlotte David / The Life of Man / The Cellist / Market Scene / Lubin Baugin / Dutch Landscape Viewed from the Dunes / Long Island Farmer Husking Corn / Mellen, Mary Blood / Siauliai / The Triumph of Neptune -detail- af / The Art of Painting / The Crowning with Tborns -01- / seascape / Tancred and Erminia / Moine italien assis -11- / Hedmark / Jones, Francis Coates / Harford / literary impressionism / Life in the City / icon com / The Strenuous Life / Bournemouth / The Story of Nastagio degli Onesti /